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Life’s a Beach

Life is waves. Waves
create a craving for Dr. Pepper,
something sweet to cut salty somersaults that get water in yr inner
ear, and deft kelp evasion, and hours and hours
coaxing friends further in but they never want to go out as far as you–
past the point of wave-beaten, past the point of even being
subject to waves, where the huddled ocean cups
you and blows like soup. Some diagnoses
require a different type of medicine, like shots
of expensive silver tequila reminiscent of beach sand or smooth
pie crust like a desert island which may just be
the proven psychological tide
of butter, but what’s the difference?
Life is waves.

In terms of spectral dynamics,
and guitar riffs, and ambulance sirens
and your “type” of guy, which is basically any pipe
cleaner over 6’2– who all eventually say move
on– and especially with tattoo
pain and the nerve death before a root
canal, or calls from the reservation
a note to say someone else is in the hospital or has passed
on, and sudden 98 degree days when you jet to meet
one of those interchangeable gentlemen jetties and forget to signal
on the freeway and the SUV next to you crashes
into the divider and rolls and you had summer school
with him–
life is waves.

But to a lesser extent,
how about kneeling
close to shore, or sitting down
in the small sharp waves. Breakers
fill your mouth like salty chocolates.


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Tommy “Teebs” Pico is the driving force behind , an antiracist/queer-positive collective, small press, and zine that publishes art and writing. Originally from the Viejas Indian reservation of the Kumeyaay nation, he now lives in Brooklyn and is working on a collection of poetry.

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Roy Pérez lives in Portland, Oregon, and teaches Latin@ literature and performance studies at Willamette University. He is a founding member of the birdsong arts collective and small press in Brooklyn, New York, for which he serves as contributing poetry editor. Roy's work has appeared in Glitter Tongue, The Best of PANIC! poetry anthology (Fire King Press), and FENCE magazine. His poem "Things We Both Know (Not Our Real Names)" was adapted to film by director Finn Paul and has played at film festivals in Chicago, New York, Seattle and Los Angeles. Roy is currently working on Queer Figments of the Latin@ Imaginary, a book about art, sex, and race. Born in Los Angeles, raised in Miami, and fashioned in Brooklyn, Roy has now lived in all four corners.

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