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Jess Burnquist

 

 

 

 

 

 

 

 

 

 

The Difficult Drama of Nature

How cool the air above the horizon—the sky lights up
As you take your leave. And this leaving feels severe
It feels the way trees look as they clutch rough edges of land
All the while being shaped by a persistent wind.

I can be traced by satellite. Here is my house on a virtual map
But what of your soul? What of this next-phase?

I might be the tree clawing to stay. Also, you might be the wind.
The moon pulls these thoughts across a barren sea named Desert.
You dwelled here for a time with your lens—finding the synesthesia
In the mindlessness of the mesquite. What did I forget
To tell you before you splintered from your body
So fraught and pale—so tired of the process of breath?

You should know that your intended stillness
Gave way to the most difficult shifts of voice.
Your lithograph—the tea stained print
Of hallway and woman in three point perspective
Would form a constellation. And, dear friend,
We spoke once about the dead light of stars—the endless travelling
To briefly illuminate. I ask of contrast, why life/death? Why black/white?

There are no areas unmarked by this gasp
Of collective color. I gaze through darkness
Upwards to notice the moon. How it forms
A shy smile—a knowing wisp of light._________________________________________________________________

Jess Burnquist was raised in Tempe, Arizona. She received her MFA in Creative Writing/Poetry from Arizona State University. Her work has appeared in Hayden’s Ferry Review, Persona, Clackamas Literary Review, Natural Bridge and various online journals. She is a recipient of the Joan Frazier Memorial Award for the Arts at ASU. Jess currently teaches English and Creative Writing at Combs High School in San Tan Valley, and has been honored with a Sylvan Silver Apple Award and grant for teaching. She resides in the greater Phoenix metropolitan area with her husband, son, and daughter.

 

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Sheila Squillante is a poet and essayist and the author of three chapbooks of poetry: A Woman Traces the Shoreline (Dancing Girl Press, 2011), Women Who Pawn Their Jewelry (Finishing Line Press, 2012), and In This Dream of My Father (Seven Kitchens Press, 2014). Her first full-length collection of poems is due out with Tiny Hardcore Press in 2014. She has published work widely in print and online journals like Brevity, The Rumpus, No Tell Motel, MiPoesias, Phoebe, Hobart, Barrelhouse, Cream City Review, TYPO, Quarterly West, and elsewhere. She serves as editor-in-chief of The Fourth River Literary Journal, and associate editor at PANK. She works at Chatham University, in Pittsburgh, where she is associate director of the MFA program in creative writing and assistant professor of English.

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