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James Galvin – Everything We Always Knew Was True Copper Canyon 2016 Page Length: 75 Retail: $16 How is it possible for the work of James Galvin, the face of the most famous poetry program in the world, to be so wildly underappreciated? One could spend a lot of time trying to understand this: is it because of his association with the Iowa Writers’ Workshop that critics have largely ignored his work, especially over the last twenty or so years? Or is it because his style walks so boldly in the footsteps of the many celebrated American poets who have taken as their central subject the natural world, and have done so with a language we can loosely call “plainspoken”? A combination of these theories would view Galvin as the inheritor of a tradition of Iowa faculty poets (Donald Justice, Marvin Bell, not to mention recurring faculty members like Galway [...]

Anand Prahlad – As Good As Mango Stephen F. Austin University Press 2012 Page Length: 90 Retail: $15.95 Much of contemporary American poetry centers on expressions of “identity politics.” This mode of poetics, which has taken many diverse and brilliant forms, is most commonly articulated in assertions of identity: celebrations of self in its various guises against the dominant hegemony of the culture of the oppressor. In Anand Prahlad’s brilliant collection, As Good As Mango, we encounter a poet who, while participating in the liberation from oppressive cultural forces so central to the poetics of identity, accomplishes this individuation by subverting the common relationship between poet and text. Prahlad is a poet less interested in expressing “self” than allowing self to be expressed by the very world in which the poet finds himself. His is a poetics of quasi-passive divination wherein the poet becomes the vehicle for larger aesthetic forces: [...]

Solmaz Sharif – Look Graywolf Press 2016 Page Length: 93 Retail: $16 The winner writes history; the loser writes poetry. Not that Solmaz Sharif’s debut from Graywolf Press, Look (2016) is anything short of extraordinary. It’s just that the cliché about the “winner” is too true for Sharif to resist subverting in her urgent, prophetic, and virtuosic invective against the Nation State in general, and the contemporary American Nation State in particular. It is hardly new for poets to use poetry as a means of political resistance, but rarely have we seen the politics of language play such a prominent role in the resistance. Sharif uses a variety of avant-garde forms to put enormous pressure on language itself so as to exploit its materiality, and therefore its malleability—a process of weaponization that can be used to liberate as well as oppress. Given the enormous oppression brought forth by the militarization [...]

Blueberry Elizabeth Morningsnow – Whale in the Woods Rescue Press 2012 Page Length: 73 Retail: $14 Blueberry Elizabeth’s Morningsnow’s debut collection, Whale in the Woods, is mythic and mammoth. Winner of the 2011 Black Box Poetry Prize from Rescue Press, Morningsnow gives us a vision that is obsessive, oddly spiritual, and urgently beautiful. The result is one of the freshest, most original spiritual voices in Contemporary American Poetry. At the core of Morningsnow’s poetics is the fusion of the elemental and the spiritual. Many of these poems center on large, recurrent, elemental themes and symbols: the weather, the moon, stars, fields, bodies (human, aquatic, celestial), dust, mountains, and copious amounts of light. Atop these Morningsnow layers a spiritual valence that ambiguously and provocatively begs the question of how imbued these elements might be with spiritual forces: ghosts, god, breath, and death. “Ghost trapped in a cloud: it’s not my fault [...]

Christopher Gilbert – Turning into Dwelling Graywolf Poetry Re/View Series 2015 Page Length: 187 Retail: $16 “Who is this Christopher Gilbert and why am I only just hearing about him?” This is the question Terrance Hayes asks at the beginning of and throughout his Introduction to Turning into Dwelling, the collection most recently published by Graywolf’s Poetry Re/View Series. It’s a simple question with a few answers. Most of the answers, though, only produce more and larger questions. The question, of course, is really two questions. The first is relatively easy to answer: Christopher Gilbert was a poet born in 1949 in Birmingham, Alabama, who then died in 2007 after a twenty-year battle with polycystic kidney disease. The only book he published during his lifetime was Across the Mutual Landscape, winner of the 1983 Walt Whitman Award from the Academy of American Poets. A student and then friend of Etheridge [...]

Russell Dillon – Eternal Patrol Forklift Books 2013 Page Length: 82 Retail: $15 There was something nearly traceable within us, horse-like and holy. Without this field, there would be an unnamed vacancy between trees. … Here: A photograph where your face is obscured by blurring snowflakes. Gloam-lensed, a moment before inviting me into your papier-mache home. … Maddening how, in this home, in this storm, I fear most the lightning and not the rain, the improbable over the certain. A sound from the map room: mellifluous, stupid river. “Each Combustible Fluid Ounce in its Divorcing” (12-3) Russell Dillon’s debut collection from Forklift Books, Eternal Patrol, radiates bioluminescent longing and maniacal ache. Dillon’s poetry fuses the energy of ecstasy with the reflective intensity of a mind that catches itself thinking helplessly into an abyss of terrible beauty. It is poetry that proceeds from the force of its diction: image-driven and unencumbered—it [...]