The Other

mUutations: Kaufman’s CINCOPRHENICPOET

by Brooks Lampe October 14, 2011 The Other

Warning: mUutations are a project from my other site, . They are arbitrary interpretive readings that change the poems into something they’re not. Proceed at your own risk. Here’s a poem by Bob Kaufman. It’s what happened to many of the Beats: Cincophrenicpoet A cincoprhenic poet called a meeting of all five of him at [...]

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mUutations: Lorca’s SPIRAL

by Brooks Lampe September 23, 2011 The Other

Warning: mUutations are a project from my other site, . They are arbitrary interpretive readings that change the poems into something they’re not. Proceed at your own risk. Here’s a poem by Federico Garcia Lorca that could change your life, if your name is Euclid or Bernhard Reimann: Spiral My time moves on in a [...]

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Poem of the Week: Takashi Hiraide

by Martin Rock September 22, 2011 The Other

43 The spider is genius. The celerity which moves — leading the air mass — the atmosphere level that falls higher than the clouds connecting the seasons. The spider is genius. The brilliance descending omnidirectionally is not a gravity-evading parachute, but striates the entire sky, guiding drops of light towards the ground. And it just [...]

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Collective Brightness

by Christopher Phelps September 21, 2011 The Other

Christopher Phelps: You mention in the introduction that you “had a hunch these poems existed but could never have imagined their scope.” Was there a specific conversation or event or book that inspired you to put together an anthology of faith-, religion-, spirituality-, belief- and non-belief-themed poems from LGBTIQ poets? Kevin Simmonds: I can’t remember [...]

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Meditation on Marianne Moore

by Joe Weil February 8, 2011 The Other

Marianne Moore probably would have hated my guts, considering my rather sloppy, and sprawling ways, and she would have been right to do so. She scares me the way Cordelia scares me–by dint of her absolute integrity. She makes me love her the way I once loved an impossibly precise and severe girl in the [...]

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Poems and Their Ideas

by Joe Weil January 19, 2011 The Other

Dust of Snow Robert Frost The way a crow Shook down on me The dust of snow From a hemlock tree Has given my heart A change of mood And saved some part Of a day I had rued. A student, choosing to write a two page paper on this poem, quoted a critical authority [...]

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Poem of the Week: Camille Rankine

by Adam Fitzgerald January 13, 2011 The Other

Symptoms of Island Sometimes in the morning your hand finds the dip in my side. For the moment we’ll call it happiness. This does not account for weeks spent cursing the apple trees, their sticky bloom. The man on the bus gaping at my slack lip knew. Plump dumb stone in my mouth. I’m sure [...]

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Poem of the Week: Matthew Rohrer

by Bianca Stone December 30, 2010 The Other

[Do you get any reception here?] Do you get any reception here? I think if you face West. You await silent sadness to filter in. Or if you shut it off you will be the same. Cracked open and with a scar. Light getting in through chinks at night. Bits of information like a glorious [...]

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To Beginner Poets

by Emily Vogel December 28, 2010 The Other

The distinction between what it is that constitutes the “amateur” poet and what constitutes the “expert” is slippery, yet should be considered in an extensive discussion. To begin, let me address the amateur’s typical testimonies: “I write to express my emotions,” or “No, I would never show my poetry to anyone!” The truth is that [...]

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Here Be Dragons

by Colie Hoffman December 14, 2010 The Other

Before I left for India, my doctor tried to talk me into a a $1500 rabies vaccine by convincing me that packs of stray dogs would be pouncing on my every step and probably even attack me in my sleep. He practically insisted I buy a Hazmat suit to ward off mosquitoes. My mother, on [...]

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Letter from Karnataka

by Colie Hoffman December 6, 2010 The Other

NOTE: This is the first of a series of posts by Colie Hoffman about her experience while a writer-in-residence at Sangam House, India. It’s only been two weeks since I arrived in India, but already I feel totally at home here. The tiny village where I’m living—beautiful unto itself, with its stone paths and red [...]

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Poem of the Week: Emily Pettit

by Bianca Stone December 2, 2010 The Other

AN AGREEMENT REQUIRES AN OFFER AND ACCEPTANCE I came here to get you excited. We have an accidental stare-down. No bees, no money. No one says this. I am so frightening. No one is impressed. It’s all, a duck’s quack doesn’t echo and no one knows why. You think you are whispering when you are [...]

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“A javelin of lavender…asserts a dozen verities”: Donnelly’s Cloud Corporation

by Genevieve Burger-Weiser November 24, 2010 The Other

“Not freed / but caught up in what thinking tries to conceal:” that is what spending time with Timothy Donnelly’s poetry feels like, “where to know / is to feel knowledge dissolving. . .” (“Chapter For Breathing Air Among the Waters”). Essentially metaphysical, the poems of , are fueled and refueled by self-critical dueling, a [...]

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A Thing with Feathers: Concrete and Abstract

by Joe Weil November 23, 2010 The Other

A poem can be utterly concrete in all its details, yet abstract as to its meaning. This abstraction has better words to define it: vague, illusive, non-cognitive, gibberish, wide open to interpretation, etc. I’m sorry they used the word abstract to name such a poem, since, elsewhere, abstraction means to deal with the principle of [...]

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How to Edit Poems in a Workshop (Towards a Different Kind of Workshop, Part III)

by Joe Weil October 30, 2010 The Other

Break up into groups, something they love to do now-a-days, and assign the following roles among yourselves: Line and space coach, image and word choice coach, rhythm and syntax coach, and meaning/subtext coach. This last coach will look at the poem in terms of its meaning, try to figure out what the poet’s intentions are [...]

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The Paris Review’s implement fetish

by Daniel Silliman October 18, 2010 The Other

Interviewer: The Paris Review has one quintessential question, which it has asked everybody from William Faulkner to Ernest Hemingway. What is the implement that you write with? : I use my toenails actually—collect them, hammer them down, mold them into shape … William Styron didn’t write in notebooks. He tried notebooks, but they didn’t work [...]

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