Waadookodaading Drum at the Wisconsin State Department of Agriculture, Trade & Consumer Protection Consultation with Tribal Leaders meeting at the LCO Convention Center, 10/8/14; or: MVI_8407 I can’t stop watching this YouTube video: of seven little Indian boys with their switches in hand and they begin to sing. How can you stand this? I would ask my mother at each Pow Wow, young and heartless, before it became a homecoming, their pitched wail, fevered yips and arpeggios, how the longer you stayed they were like wolves, then crows, then, eventually, the river, too. Oh yes, the river moves like this, sometimes broken by tributaries, but carried by momentum, sometimes the floodplain and one stick at a time strikes and all pick up again together like a shared lung. We who stand at the corners of this carpeted space, most likely another casino convention room if it’s anything like ours, we [...]

During 2016, we will shine the spotlight of our public esteem & rapt attention on two poets per month. This month’s first poet is Kenzie Allen. Fox Frazier-Foley: Talk to me about the core of your creative drive and the expression it finds through poetry. There are lots of ways to be creative in this world – what motivates you to write poems, specifically? Additionally, what motivates you to navigate the poebiz landscape? Kenzie Allen: One of the things I love about poetry is that ideally it becomes a fractal. The smallest parts of it, sentence, line, word, can each be a poem. Like a good sketch, there’s space and negative space in the poem, what is depicted and what is inferred, and the drawing’s refinement upon initial impressions through revision. Poetry draws upon music, the visual, performance, and ultimately is a celebration of language. It’s also the creation of [...]

It is Easy to Say Yes to Something That Wants You In Angela Veronica Wong’s 25 little red poems (Dancing Girl Press, 2013), sparse, thought-bubble-like poems without titles deliver us into a dark thematic forest of growth, desire, and destruction. The wolf—always a symbol of appetite and lone freedom, and sometimes of destruction—pads atop the pages, along with a bone–white moon, and winter branches. Wong is no Little Red Riding Hood, however, and at times, she is the predator, the danger, wanting to rip at her own flesh or someone else’s. Wong writes destruction beautifully, even if it is against herself. The destruction, or need for it, blends with the desire and the pain. As in poem #3: …I want someone to bite down and hold on bite down and chew through to bite down until it breaks until you can find me a violent surrender endo becoming exo somewhere [...]

Because I Did Not Die By Nicole Santalucia ISBN: 978-1599540948 October 2015 Bordighera Press Reviewed by Brian Fanelli The Cannoli Machine at the Brooklyn Detention Center, the opening poem in Nicole Santalucia’s Because I Did Not Die, sets the themes—family, Italian American heritage, and addiction—that are a thread throughout the book. Santalucia’s latest work is bold in its subject matter, and shows a willingness to go into the cave and tackle past demons. The poems are unflinching in their handling of the personal, something fewer and fewer contemporary poets are doing in the decades following the height of the confessional movement that saw the ascension of Plath, Sexton, and Lowell. Several of Santalucia’s poems deal with parents realizing that their children are addicts. The opening poem, for instance, finds the speaker’s dad in the Brooklyn Detention Center, trying to come to terms with the fact that his son is jailed. [...]

. . ______________________________________________________ Jessy Randall‘s poems, poetry comics, and other things have appeared in Boog City, McSweeney’s, Rattle, and West Wind. She is a librarian at Colorado College and her website is http://personalwebs.coloradocollege.edu/~jrandall/

The Year of Not Dancing Hours passed languid as the flap of a hawk’s wing in a last July before the awkward initiations of fifteen and lifts to far-afield jiving. He’d work for an uncle, cutting hay, fixing shingles with bradawls and hot, smoking pitch — evenings, hung round with fairground hands till the sideshows lit at eight. Then he’d sidestroke from the main pier, alone, on a full tide as far as the bobbing Perpetua, its line of cork floats with dock and fairground small as a snow-bubble town, bull-horns carrying Frank Ifield’s When the angels ask me to recall out across a calm, irredentist blackness. C.L. Dallat …from The Year of Not Dancing (Blackstaff Press, 2009) _______________________________________ C.L. Dallat, poet, musician & critic, (b. Ballycastle, Co. Antrim, Ireland) lives in London where he reviews literature & the arts for the TLS & Guardian, has been a regular contributor [...]

The journey Travelling early, we set out while it’s still dark. At this unblessed hour, we should be wary of the threat of footpads and of cut-throats, but we are blithe with optimism, our surprising sovereigns stinging in our pockets. Our burdens are as insubstantial as the moon and already last night has dwindled to a twist of wrinkled bedclothes. How did we wake so promptly without alarm? What witchery set us bolt upright in our beds? Perhaps as the dawn begins to damage the dark, one of our number will venture: “Where was it that we were heading? Who has the map?” Day scarifies the sky, polluting our clarity of purpose. We will not answer the rank-breaker. We tear off hunks of bread with hungry teeth. The light comes up like sadness. We do not want to recognise ourselves ___________________________________________ London-based poet Susannah Hart has attended Coffee-House Poetry’s Troubadour [...]

__________________________________________________ Poet Dominic Bury grew up in Bideford in Devon and now lives in London where he works as a copywriter & brand writer. In his spare time he manages front-of-house at Coffee-House Poetry nights at the famous Troubadour cellar-club in London’s Earls Court (www.coffeehousepoetry.org). Dom studied Creative Writing at Kingston University & his poems have been widely published in UK poetry journals including Poetry Wales, Ambit and Iota, and in Best British Poetry 2014 (Salt).

Insomniac by Mona Arshi Never marry an insomniac. You will have ________to mind yourself. ________________Have hem weights ________sewn into the lining of your garments, cure your skin with almond oil until it’s bloated ________and the pores are brimming. ________________Purchase a large wooden-grained ________trunk and place it near your bed-it’s for safekeepings. (Obscurely, somewhere deep inside you ________know all this).Very soon ________________you won’t be able to tell ________the days apart, you’ll develop a tic and it will distill at the centre (within the hive of your other small ________anomalies).You’ll flail ________________in mild wind and when you speak ________minute silver-fish consort in the pit of your throat. Exquisite wife to the shade: the exact point you place ________your finger-tip on winter mornings, ________________a raindrop will later stop and fret. ________It’s a wonder if you survive at all. It will all end in the mouth; you’ll blink- ________he’ll stir. You’ll practice lying very [...]

This Rain brings with it the scent of rain-soaked lilac, lemon lily. Bruised skirts of thunderclouds drop their wet hems over this prairie. It rains and the ditches brim, rains and the water rises like ire amongst the willows. What we say and do not say. The heart incandescent, riverine with distance. *** lilt like this: sound of droplets from leaves aaaaaa gift gift gift (Shortlisted for the International Salt Prize for Best Individual Poem, 2012 Published in The Salt Book of New Writing 2013, UK.) _______________________________________________________ Jenna Butler is the author of three books of poetry, Seldom Seen Road (NeWest Press, 2013), Wells (University of Alberta Press, 2012), and Aphelion (NeWest Press, 2010), in addition to a book of ecocritical essays, A Profession of Hope: Farming on the Edge of the Grizzly Trail. When she is not in the classroom as a professor of ecocriticism and creative writing at [...]

PARADOX The hand that draws the bowstring has faith that the deer will die. The longbow bends, the arrow points, the deer stands frozen in the curious pose of prey before its doom. But Zeno suggests that once the arrow flies, it covers half the distance to the deer’s heart first, then half the distance left and half again and again and half again so the deer will live and the arrow will never find its one true home. A woman’s faith is different than a man’s. She believes his strength is bowstring straight, his heart like longbow yew, flexible but taut. A man believes that he is not a beast– until the string snaps, the tortured bow splinters and his fist is arcing through the air toward the faithful face of the woman who believes. The hunter doesn’t love the prey. He’s filed the razor edge of the arrowhead [...]

Driving under drying skies, north, passing fields the summer has been too wet to turn brown, i wait for God to appear, for poems to rise like mists, for some sort of ever that doesn’t sting. croon to me like a wild road, sunlight spider-webbing across a cracked windshield across strange arms across a morning we can all afford to spend and live and live. ________________________________________________________ Joanna Suzanne Lee earned her MD from the Medical College of Virginia in 2007 and a further MS in Applied Science from the College of William and Mary in 2010. Her ppoetry has been published in a number of online and print journals, including Caduceus, Contemporary American Voices, and The Dead Mule School of Southern Literature. Her second full­-length book of poetry, the river and the dead, is forthcoming in 2015 from unboundCONTENT. She is currently serving her third year on the James River [...]

Vital Desert Lesson Number One Nothing can be more useful to a man than a determination not to be hurried. – Henry David Thoreau Living on beans and bread in an abandoned cabin no larger than a tool shed, I’d be happy, I once said. If I could just remain immobile, silent. No place to go, I’d read Dante’s Inferno and ponder the nature of mass movements, the building of Babel’s tower, the steam locomotive. Dawn and dusk I’d thank sun and moon that I’d escaped the grinding bustle, that nothing disturbed my dreams. Oh, I know it all seems too idyllic, but one vital lesson this desert’s teaching: let nothing rush me—not the heat I try to keep out of, not the man behind me in the traffic jam fidgeting with the folds of his gutra* while he beeps and speeds past me one nano second after the light [...]

Some Men Men who’ve kissed with passion the full lips of women they didn’t love, men who’ve grown too reticent for the confessional, who’ve cleaned public restrooms, wiped menstrual blood from their walls, who’ve written— then scrubbed off—vile graffiti from the rusting doors of shithouse stalls. Men who’ve grown enormous with disregard, rolls of it bellying over their wide belts. Men who’ve been barbers of the dead and were happy for the work, men who’ve become what they’ve microwaved, who overvalue the quality of their erections and fawn over them like the town’s new Wal-Mart. Men who look awful in suits, who’ve been there and back yet grew impatient, men who go to wakes to keep up appearances, who’ve made a deal with God but can’t remember the terms, men who are old pros when it comes to hospitals and cracking jokes at the nurses’ expense, men who’ll be at [...]

Poetry Blog’s Infoxicated Corner has nominated the following poems (and poets) for 2015’s Best of the Net: Annie Won’s “The Nine Circles of IKEA” Jezmina Von Thiele’s “Transfiguration of the Black Madonna: Gypsy Goddess, Gypsy Saint” Leigh Anne Hornfeldt’s “Dilemma” Mariahadessa Ekere Tallie’s “Blue Libation” Margaret Bashaar’s “There Is Really No Such Thing As Winning” Saba Razvi’s “Gingerbread Girl” We were privileged to give these poems a home, and wish only that we could have nominated even a bit more of the amazing work with which we’ve been graced in the past year. Looking forward to 2016’s poetry features! Until then: onwards, and with love.