This entry is part of a series, OF LAMB by Matthea Harvey» Samantha Zighelboim: How did you become interested in the process of erasure? Matthea Harvey: I first read about erasures in Heather McHugh’s wonderful book, Broken English. There’s an image from Tom Phillips’s A Humument (which I adore) on the cover and her essay, “Broken, As in English” discusses, in her characteristically brilliant way (“All poetry is fragment: it is shaped by its breakages at every turn”) Phillips’ work as well as the fragments of Archilochus (“the fox knows many things, but the hedgehog knows one big thing”), Heraclitus and Parmenides. It’s interesting to think about what the eraser’s attitude towards their text is. Jen Bervin’s beautiful Nets is a respectful erasure—she allows her erased poems to talk to the original Shakespeare sonnets because the poems are printed in grey and her selections are in boldface (or shyface). Someone [...]
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Interview with Matthea Harvey
Samantha Zighelboim June 21, 2012
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