If you read the Bible with no authority other than your love of story and your lack of “judgment” (meaning without the lust to prove yourself justified by an authority), it opens up to you like the long love between you and an old family member–like the way my heart opened up to my grandmother. In real peace, there is room for ferocity. In real feeling, there is room for contradiction. God instructs the heart not by certainties but by pains and contradictions. The Bible is full of pains and contradictions.

Because I read the Bible and knew the story of Ruth, I knew how wonderful and brilliant Keats had been to yoke himself to that long ago figure standing and hearing the nightingale “amid the alien corn.” I didn’t have to look the story up, and it had the force for me it had had for Keats: the nightingale’s song was the continuity between myself and an ancient woman who had been the direct ancestor of my lord, Jesus Christ. It was this ability to connect the vast to the intimate that made Keats such a great poet–and he made the connection in one brief, so brief stroke.

Because I knew how Abraham had traveled under a night sky so vast, so glutted with stars and had heard God’s promise, I wept when I first read Mark Twain’s description of Huck and Jim looking up at the night sky and wondering about the origin of the stars, and I was awed by Cervantes when he had Quixote and Sancha under the same sky. My dream was always to retrace the journey of Abraham/Yahweh, Huck/Jim and Quixote/Panza under those same night skies. How would the night speak to me in each journey, over the Spanish plains, in the desert, on the river? I remembered night fishing with my own father, the slow burn of his Chesterfield King and how he warned me about the sharp fin of the catfish. All of this was what Keats moved toward: the collapsing of brevity and eternity.

This afternoon I hung out with Clare as her mom went on some errands. It’s one thing to do constructive activities with your child and another just to hang. She has two teeth now and is very proud of them. We put on the television and hung out on a pillow and I stood her up from time to time to give her practice, and she grabbed my beard and/or chest hair to give it a yank. When her mom came home Clare was asleep with the bottle still in her mouth. What would it be like if we could just hang out someday in Spain and Israel and on the Mississippi and retrace the books–the Bible, Don Quixote, Huckleberry Finn? The river, the plains, the desert are one–they are where you encounter God and yourself. But the living room is also one, and the porch stoop is also one, and the hoods of parked cars late at night when you are 15 and hanging with friends is one: all of them the place that is sacred, ground set apart.

I want my students to know that this is the ultimate place of learning–this communion of “hang.” The kingdom of hang is like this: you are old or young, or somewhere in the middle and always claiming you are busy and then, some night, without planning, you sit down at the table where brevity and eternity are the same thing–and you hear the nightingale singing inside your own soul–in joy and grief at once, and you know that death hath no dominion– not over this Eucharist, this Eucharist of there–wherever there is, you’ll know, and if you don’t, a thousand years of life will not be enough to teach you.