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vera pavlova

When I’m blocked, blank, speechless, I fill the silence by internalizing a poem. I pick one that I know has something to teach me—some diction or rhythm that, once ingrained, might knock me free. I don’t think “memorization” is an accurate term for this practice. I prefer to call it learning by heart. It has little to do with rote remembering, and much to do with the commitment to know, invoke, embody the poem. I borrowed the idea from Kim Rosen, whose book SAVED BY A POEM illustrates the difference between using the mind and using the heart in relation to reading and learning poetry—how poetry affects us on both cellular and spiritual levels. “The healing did not come through writing poems or even through reading them. It came when I discovered that taking a poem I loved deeply into my life and speaking it aloud caused a profound integration [...]

I want to begin praising If There is Something to Desire by Vera Pavlova, translated by Steven Seymour (her husband, her muse! how romantic, how intrinsic!) released last month from Knopf, her first collection published in English. These one hundred poems go so far so terrifically fast (almost all under ten lines) that Pavlova seems to intentionally strive to increase poetry’s audience and relevance—this is, after all, Love in the Time of Tweets and Text Messages—with brevity and bravura; meditations for our culture’s dwindling (and, mostly, already shallow) attention spans. This Valentine’s day, send an entire poem to your dearest—take number 14 for example: the lengthy course of a relationship in eighty characters: No love? Let us make it! Done. Next? Let us make care, tenderness, courage, jealousy, glut, lies. Now I want to follow Simone’s lead and leave you with a letter, from James Schuyler to Frank O’Hara, found [...]