Aesthetics

Why I Hate “The Arts”

by Joe Weil August 31, 2011 Aesthetics

Photo by . I always liked making things up, improvising, using my “imagination.” I do not remember my dreams because I spend the greater part of my day restructuring the past and fitting it into schemas of relationship and disrelationships, and not to any discernible end. In short, I am always in a dream. Perhaps [...]

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Didactic Sonnet

by Joe Weil August 1, 2011 Academia

So I’m reading, and very much enjoying Ray Hammond’s Poetic Amusement, his masters thesis on the influence of po’biz amid writing programs on American poetry. When I read, I interact with a text, start scribbling my own argument for or against, maybe write a didactic sonnet, or trounce about my house looking for other books [...]

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The Four Functions and The Love Song of J. Alfred Prufrock

by Joe Weil April 20, 2011 Academia

Carl Jung’s work on introverted and extroverted personality types based on four functions of thinking/feeling (the rational) and intuition/sensation (the irrational) has been modified by various experts in relational dynamics, most especially Meyers Briggs and its various off shoots. Some sort of personality test is now administered by businesses interested in relational dynamics and team [...]

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Sentimentality vs. Feeling

by Joe Weil March 29, 2011 Aesthetics

I tell my students that sentimentality is the appropriate emotion at the most predictable time rendered in the most obvious weather, and all of it covered with a thin scum of false compassion. But you can get away with all that, yes, even a tear falling for a dead mother on a cloudy day, if [...]

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Poem of the Week: Wallace Stevens

by Joe Weil March 24, 2011 Aesthetics

This is one of my favorite Stevens poems, and I was very cheered when I found out years later that Stevens felt the same. When I first read “Large Red Man Reading,” I thought he had Matisse in the back round of his mind. Years later, I found out he was, indeed, a great admirer [...]

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How Tu Fu Works

by Micah Towery March 11, 2011 Aesthetics

I’ve been enjoying Kenneth Rexroth’s Classics Revisited lately (You can find ). Rexroth’s literary polymathism—his ability to speak (and translate) almost anything—seems touched only by Ezra Pound (who was a great translator, but not a good one). Rexroth’s admiration for Tu Fu as a poet (along with Joe Weil’s recommended book list) inspired me to [...]

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Bob Kaufman’s Solitudes Crowded With Loneliness

by Brooks Lampe February 1, 2011 Aesthetics

My research currently has me looking into the surrealist-Beats, and I recently read Solitude Crowded With Loneliness. This was Kaufman’s first book, published in 1965, which brought together work from the late fifties that had made him famous, including and Does the Secret Mind Whisper? I am in awe of how completely Kaufman was able [...]

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Gatekeepers of Literary Greatness: On Piety

by Joe Weil December 21, 2010 Aesthetics

Piety: We will be using this term in its extra-religious sense as first defined (in that sense) by George Santayana, and greatly expanded upon by Kenneth Burke in his work Permanence and Change. I strongly suggest you read Burke’s chapter on piety since it is an astounding critical work. At any rate, you can get [...]

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Gatekeepers of Literary Greatness: Some Definitions and a Parable about Chickens

by Joe Weil December 15, 2010 Academia

In the interest of clarity, we will be using terms I’ve either borrowed or made up as a sort of “jargon” by which to navigate this series of essays. The first of these are the ten forms of “value.’ These are values by which cannons and books enter the world of letters. I name them: [...]

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Aesthete and Propagandist: An Interview with Gene Tanta

by Brooks Lampe December 10, 2010 Aesthetics

In the introduction to you refer to your poems as “ghost sonnets.” Why “ghost sonnets?” And what prompted you to (a) select a definitive form, the sonnet, in which to write the poems and (b) to shave a line off the form? I call them “ghost sonnets” because they’re missing the 14th line of a [...]

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On Gene Tanta’s “Critical Introduction to Unusual Woods.”

by Brooks Lampe October 30, 2010 Academia

Gene Tanta begins his first book of poems, Unusual Woods, with a 20-page essay that takes shots at T.S. Eliot, Harold Bloom and others. Why does he do this and what is he trying to say? Surrealism and one of its American progeny, , have never been fully accepted. Their stock has taken a dip [...]

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Trying to do something important: a couple of thoughts on ambition in a work of art

by Daniel Silliman October 1, 2010 Aesthetics
To Make Bach the Grund of Grundrisse and the Chaconne of a Shocked Shack

Herman Melville doesn’t announce the ambition of directly. He kind of sneaks it in. It comes in late and sideways. At the start the feeling is almost haphazard, and Ismael says, as if in afterthought, “I thought I would sail about a little and see the watery parts of the world.” It’s imagined as a [...]

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