Everything

Poem of the Week: Phoebe Giannisi

by Sarah Eggers April 20, 2012 Poems of the Week

__________________________________________________________________ Phoebe Giannisi is a poet and architect. She works as an assistant professor at the University of Thessaly in Greece, where she teaches design and poetics related to urban space and landscape. She is interested in the performative and acoustic dimensions of poetry, and she organizes in situ poetic performances in public spaces. In [...]

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Teacher as Midwife

by Joe Weil April 18, 2012 Society

One of the hardest things to do is to get students to notice the world beyond feelings and abstractions. Feelings and abstractions seem significant. A dolphin balancing a ball on its nose is novel, but so what? Dolphins are of the moment, and although our annoying culture drones on that we should live in the [...]

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mUutations: Auden

by Micah Towery April 17, 2012 Poetry and Poetics

This entry is part of a series, mUutations» Warning: mUutations are arbitrary interpretive readings that change the poems into something they’re not. Proceed at your own risk. See for more info. The conflict between eternity and time is deeply embedded in the consciousness of human persons. I believe it gives rise to most impulses that [...]

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Poetry Comics! Michael Rae

by Bianca Stone April 12, 2012 Poetry Comics

*** *** *** Michael Rae’s suggested links 1. 2. The . Michael has served as his tattoo guinea pig for a decade. 3. . 4. Contemporary American folk art: . 5. . 6. . 7. . 8. 9. _______________________________________________________________ “People Thoughts” is an ongoing drawing/writing series by Michael Rae that began in 2009 and now [...]

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More Rhetorical Devices

by Joe Weil April 11, 2012 Poetry and Poetics

This entry is part of a series, Rhetorical Devices» , Rhetorical Devices» , Rhetorical Devices» PHOTO by . I’m going to put the next few terms under the larger sweep of synecdoche, a word that is dangerous to delve into since theorists and language experts, in their mania to confine, have proven themselves enemies of [...]

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Poem of the Week: Frank Montesonti

by Sarah Eggers April 6, 2012 Poems of the Week

Sad Indianapolis I go to the movie theatre to look at the rows of exit lights just to feel like I’m landing in my life. I tried to pull the world back from the explosion; but it is snowing; the sky looks like falling ash. Each morning I stitch together a moment, say, the muted [...]

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mUutations: Matthew Zapruder

by Brooks Lampe April 5, 2012 Poetry and Poetics

Warning: mUutations are arbitrary interpretive readings that change the poems into something they’re not. Proceed at your own risk. See for more info. Here’s Matthew Zapruder’s “To a Predator” I woke up early and saw a fox. It was leaping and dragging its glorious red and white tail behind it across the road. It held [...]

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On Rhetorical Devices and Their Use

by Joe Weil April 4, 2012 Poetry and Poetics
Back Camera

I figured I’d post these. Many poets employ them without ever knowing their names, and that seems to work, but I like knowing the names of things. There’s something thrilling and wise ass to me about going through the world, saying: “Oh look! A Eurasian tree sparrow!” At age six, I fell in love with [...]

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Interview with Kate Durbin on E!

by Lisa A. Flowers April 2, 2012 Reviews
durbin

This entry is part of a series, On Kate Durbin» Lisa A. Flowers: One of the things I thought was interesting–and admirably bold–about The Hills was that it wasn’t afraid to, conceivably, bore its readers; wasn’t afraid to not entertain, which is a rather ingenious juxtaposition considering that, of course, the book is about entertainment, [...]

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Poetry Comics! Jono Tosch, Part 2

by Bianca Stone March 29, 2012 Poetry Comics
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Teaching Poetry: Obedience vs. Conformity

by Joe Weil March 28, 2012 Poetry and Poetics

This entry is part of a series, Conformity and Obedience» When I was ten or so, a large flock of starlings, and assorted brown-headed cowbirds used to come visit a deserted lot near my house every fall. I liked nothing better than to run among them, and listen to the collective soughing swoop of their [...]

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Garbage Picking in Eliot’s Waste Land, Part 2

by Tom Bair March 26, 2012 Poetry and Poetics

I dally. It is one of my strengths. I remember when I was ten years, driving to Boston in a groggy, once-flooded luxury Mitsubishi and telling my father, “Sire, it is summer, the windows are locked in the up position, and the engine’s heat is seeping through the vents.” He responded, “Your mind dallies, Thomas [...]

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Double Contact: William Carlos Williams

by Joe Weil March 21, 2012 Poetry and Poetics

There are many poets who enjoy disliking William Carlos Williams. He wrote poems that seem distinguished only by their adherence to the tossed off. They make no major claims. They seem jotted off. So why study the man at all? First, it is hard to see Williams because he is everywhere, in all the schools [...]

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Funhouse Mirror as Lite-Up Makeup Mirror: Kate Durbin’s E! Entertainment

by Lisa A. Flowers March 19, 2012 Reviews

This entry is part of a series, On Kate Durbin» E! Entertainment By Kate Durbin Insert/Blanc Press, 2012 Full color 40 p. chapbook $12.00 If Hedda Hopper had been reincarnated into a bag lady forced to stuff her own newspaper columns into her clothes for warmth, the wyrd outer hummings of her cycle toward rebirth [...]

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Poetry Comics! Jono Tosch

by Bianca Stone March 15, 2012 Poetry Comics

_____________________________________________________________________ Jono Tosch is a poet, artist, non-fiction writer and fermentation enthusiast who lives in Northampton, MA. Last summer he took his blog, Oilchanges: the anti food blog food blog, to New Mexico on a reader-supported X-Country road trip. You can find his poems and whatnot by googling his name.

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A Brief and Personal History of Jazz

by Joe Weil March 14, 2012 Arts & Society

I don’t make any claims to be an authority on Jazz. This is my personal take from what I’ve been listening to and hearing for my entire life. My definition of Jazz is pretty wide. Any syncopated or swung music that likes brass and uses blue notes as well as sampling from many sources fits [...]

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