From the category archives:

Literary Criticism

Thoughts on “Mock Orange” and Minimalism

Thumbnail image for Thoughts on “Mock Orange” and Minimalism July 14, 2010

Minimalism is not about powerful messages about the nihilism or poverty of the human condition (though it’s certainly easy to think so!). Instead, minimalist art creates a framework through which you view the world. It gives you the bones of the skeleton and then you fill out the flesh. But watch out! The minimalist artist still controls the bones (and hence the body that you have put on them). Minimalism is as silent as the movie frame.

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“Minor” Poets and Imagery

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Literary theorists use literature as an excuse for ontological truths (or gender, or sexual, or identity issues). This is a legitimate way to ransack texts, but it will not teach you how to write. Ontology begins with detail selection—in terms of word choice, verbal relationships, rhythm. A theorist wouldn’t know what to do with this poem, unless the theorist started to write a book on kinetics in terms of verbal constructs and the cultural bias of admiring athletes as per one’s gender, or class. Minor may only mean a theorist can’t find much to theorize about.

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More about McLuhan and the Poetic Line

Thumbnail image for More about McLuhan and the Poetic Line July 10, 2010

When McLuhan described linearity (I think he actually used the term lineality…not sure if there’s a difference? Spell check doesn’t recognize the latter, if that means anything!), I couldn’t help but think about the poetic line and the way it is changing. As print culture (and hence the divorce made by the phonetic alphabet) ends, we move from the line, back to the field, back to non-linear, acoustic space.

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Print and Rhyme

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I’ve been reading a lot of Marshall McLuhan in the last several months. I know he’s not the most fashionable critic anymore, but I admire his attitude toward culture. I’ve heard some call him a “futurist” but this seems to run directly counter to McLuhan as I read him. If anything, McLuhan is a medievalist [...]

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Hamlet and his (Public) Problems

Thumbnail image for Hamlet and his (Public) Problems May 28, 2010

Hamlet self-consciously reveals his inner thoughts to an audience he does/n’t know is there. Perhaps this soliloquy is a proto-modern lyric?

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Excerpt from The Book of Tea: “V. Art Appreciation”

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V. Art Appreciation Have you heard the Taoist tale of the Taming of the Harp? Once in the hoary ages in the Ravine of Lungmen stood a Kiri tree, a veritable king of the forest. It reared its head to talk to the stars; its roots struck deep into the earth, mingling their bronzed coils [...]

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Imitation/Interaction: the Greek Anthology, Augustine, the Psalms

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It’s immediately clear why Augustine is often seen as the last classical and first medieval man. He marks the ultimate synthesis of classical rhetoric and sensibilities with the concept of self that marked the Judeo-Christian tradition. As Cahill points out, the Psalms stand out among classical literature, as exceptionally personal. Augustine, says Ronald Heine, was “the undisputed master of using the psalms to lay one’s soul bare before God in the praise and confession of prayer….The psalms permeate everything Augustine wrote.” Rowan Williams points out that the very first sentence of Confessions is a quotation from the psalms. Augustine weaves them throughout such that we hardly know when the words are his and when they are not (a modern citation nightmare).

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Incantations: Michael S. Harper, A Love Supreme

Thumbnail image for Incantations: Michael S. Harper, A Love Supreme April 13, 2010

NOTE: In lieu of Grossman today, I’m posting a short essay I wrote on Michael S. Harper’s poem “Dear John, Dear Coltrane” for one of my classes back at Hunter’s MFA program. Listen to the following as you read: A Love Supreme It is almost impossible to read Michael S. Harper and not feel as though [...]

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Closing a Poem (Blogging through Grossman, Part 6)

Thumbnail image for Closing a Poem (Blogging through Grossman, Part 6) April 6, 2010

How do you know when you’re “done” a poem? I’m not speaking about revision, but rather, the act of writing, particularly lyrical free verse. Donna Masini once described it to me (or a class I was in—can’t remember which), as a settling in the body: a literal sense in the poet’s body that there is [...]

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Immortality (Blogging through Grossman, Part 4)

Thumbnail image for Immortality (Blogging through Grossman, Part 4) March 23, 2010

(Apologies for not posting on Grossman last week as promised.) I’ve decided to change my strategy for blogging through Grossman. Not only is it almost impossible to try and successfully capture the first part of the book in any systematic way (the conversation shifts too rapidly and it’s almost maddening to trace any idea), but [...]

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