Poetry and Poetics

Double Contact: William Carlos Williams

by Joe Weil March 21, 2012 Poetry and Poetics

There are many poets who enjoy disliking William Carlos Williams. He wrote poems that seem distinguished only by their adherence to the tossed off. They make no major claims. They seem jotted off. So why study the man at all? First, it is hard to see Williams because he is everywhere, in all the schools [...]

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Poetry as Fun

by Joe Weil March 7, 2012 Poetry and Poetics

IMAGE: It is hard to have fun in graduate school or in workshops, but if you were sitting on a dock in Arkansas and watching bass boats speed by and the sun was setting in the west (since it does not usually set anywhere else) and you had a decent knowledge of iambic pentameter–or a [...]

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Songs That Influenced My Poetry

by Joe Weil March 1, 2012 Poetry and Poetics

My first and last love are songs. I was all over the place. Late at night, my dad would listen either to country music or the BBC (guess he was all over the place, too). He and my mom would go to sleep with the radio on. I remember lying in bed and hearing the [...]

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Poetry Scenes: Chicago

by Connor Stratman February 29, 2012 Poetry and Poetics

This entry is part of a series, Poetry Scenes» When I’m asked about poetry in Chicago, I’m inclined to reply with the old Quaker response: “I don’t know what you’re talking about.” But, all I really mean is that Chicago is distinct in its poetics because there is no system, no unifying center that explains [...]

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A Grumpy Old Man Laments

by Joe Weil February 16, 2012 Poetry and Poetics

One of the first readings I ever did was in 1982 at the Baron Art center in Woodbridge. This was a good seven years before I became a host there, and Edie Eustace, one of the best friends poets ever had, booked me as “Poetic whimsy at the piano.” I did my own small version [...]

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mUutations: George Hitchcock

by Brooks Lampe February 7, 2012 Poetry and Poetics

This entry is part of a series, mUutations» Warning: mUutations are a project from my other site, . They are arbitrary interpretive readings that change the poems into something they’re not. Proceed at your own risk. Here’s George Hitchcock’s “Dawn,” from his collection, A Ship of Bells: Clouds rise from their nests with flapping wings, [...]

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Folk and Commodity, Part Two

by Joe Weil February 1, 2012 Poetry and Poetics

In part one, I tried to enforce the idea that folk art is not necessarily superior to commodified art, and most art that we know and is brought to public consciousness, and endures is a combination, a dance so to speak between the genuine and the packaged, You have to cut the hog up to [...]

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“Poetry Means You’re Writing About the World”: An Interview with Anne Winters

by Sarah Eggers January 16, 2012 Poetry and Poetics

On a recent gloriously sunny afternoon, I had the privilege of sitting down to talk over lunch with the poet Anne Winters, author of two critically acclaimed volumes of poetry and several translations. I was introduced to Ms. Winters’ work in graduate school and, ever since, have been an ardent admirer of her lushly orchestrated, [...]

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Primer on Imagery

by Joe Weil December 19, 2011 Poetry and Poetics

We can simplify imagery by saying it is that aspect of writing which appeals to the five senses; but that would be incorrect without the qualifier “sensual.” If we want to be more expansive, but not make the term entirely meaningless (and definitions that insist imagery is anything evoked by words are meaningless) we can [...]

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Poetry Speaks with its Hands

by Joe Weil December 7, 2011 Poetry and Poetics

Certain sections of broca’s area of the brain are involved both in how words are given syntactical order and how gestures, physical movements are interpreted as flow, as arc, as coherent actions. We know that broca lights up like a pin ball machine when shadow puppets are introduced before the eye. My theory of narrative [...]

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Metaphysicians in the Dark: Poetry, Thinking, and Nostalgia for the Idea

by Daniel Tutt September 7, 2011 Poetry and Poetics

What should we make of Plato’s old quarrel between philosophy and poetry? Does poetry think with philosophy? Or might we re-pose the question: does poetry rely on philosophy to think? For Plato, the poem is dangerous for philosophy as it forbids access to the supreme truth, the truth that provides unity with the ultimate principle [...]

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Poem of the Week: Hagiwara Sakutarō

by Martin Rock September 2, 2011 Poems of the Week

Secrets of the Garden of a Vacant House Seen in a Dream (translated by Hiroaki Sato) Things planted in the garden of a vacant house are _______pine trees and such loquat trees___peach trees___black pine trees___sasanquas _______cherries___and such prosperous leafy trees___branches of leafy trees that _______spread around as well under the leaves of those swarming branches [...]

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Why I Hate “The Arts”

by Joe Weil August 31, 2011 Aesthetics

Photo by . I always liked making things up, improvising, using my “imagination.” I do not remember my dreams because I spend the greater part of my day restructuring the past and fitting it into schemas of relationship and disrelationships, and not to any discernible end. In short, I am always in a dream. Perhaps [...]

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Poem of the Week: Brooks Lampe

by Brian Chappell August 25, 2011 Poems News Events

Three Prose Poems 1. He begins the day with very strong, black coffee. He sits in his reading chair and stares at The Iliad. He opens it, reads: “As the fighter tore out the blood came gushing forth / and his heart sank.” He puts the book down and thinks about what the world is [...]

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In the Garden: Re-Reading Whitman

by Joe Weil August 22, 2011 Poetry

Most of the work I do in the garden is a sort of re-reading. I might stare at a spot for a good ten minutes, then go to another place and stare at that same spot again until either satisfaction, or displeasure, or further bafflement causes me to place a few rocks, or to plant [...]

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Poem of the Week: J.T. Welsch

by Brian Chappell August 18, 2011 Poems News Events

Hook I tried to behave with my teaching assistant, with whom I was sleeping, as we laid out fresh worksheets and took positions front and back of a never-so-peaceful classroom. The kindergarteners knew before us, like a game of house, our sixteen inner-city children. Which of those lost boys or girls could be our Peter [...]

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