Poetry and Poetics

“Contemplations” on a Massachusetts Poet: American Muse

by Micah Towery January 16, 2013 Poetry and Poetics

Massachusetts writers hold a great position of influence in American writing. Some of this is just a matter of timing: Massachusetts had a kind of head start in fostering talent, and such advantages inevitably become influence (“whosoever hath, to him shall be given, and he shall have more abundance”). But perhaps it’s better not to [...]

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“Contemplations” on a Massachusetts Poet: A Neo-Platonic Quest

by Micah Towery January 9, 2013 Poetry and Poetics

The assertion that “Contemplations” is primarily concerned with the ascension of the soul may bump against prevailing notions. Some critics have said Bradstreet was more in love with the earth than heaven since the lines that directly address the idea of heaven often fall short: “too often merely traditionally rendered passages pale before some of [...]

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“Contemplations” on a Massachusetts Poet: Introduction and Form

by Micah Towery January 2, 2013 Poetry and Poetics

When I was 4 or 5, my grandmother loved to ask me where I was from: “Pittsfield, Massachewits” I’d say. Like a sneeze. She took a special delight in my inability to grasp and order all the necessary phonemes. We moved from Massachusetts before I turned 10, before I really appreciated the important literary contributions [...]

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“This Was the First Day / Of the New Experience”: Notes Towards a Pragmatist Reading of Ashbery’s Poetry and Poetics, Part I

by Andrew Field November 12, 2012 Poetry and Poetics

This entry is part of a series, Ashbery and Pragmatist Poetics» Introduction: Why the Lyric Essay? 1. I want to start with a problem: an overwhelming, close to paralyzing sense that an essay about John Ashbery’s poetry is like a representational critique of a cubist painting. The two (essay and poetry) just feel ill-fitting, strange [...]

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Phronesis and Redux

by Joe Weil November 7, 2012 Poetry and Poetics

This entry is part of a series, Redux» Aristotle defines phronesis in the following manner: We may grasp the nature of prudence [phronesis] if we consider what sort of people we call prudent. Well, it is thought to be the mark of a prudent man to be able to deliberate rightly about what is good [...]

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Big Time Sensuality: Jack Gilbert

by Karl Wolff September 17, 2012 Poetry and Poetics

Naked Except for the Jewelry “And,” she said, “you must talk no more about ecstasy. It is a loneliness.” The woman wandered about picking up her shoes and silks. “You said you loved me,” the man said. “We tell lies,” she said, brushing her wonderful hair, naked except for the jewelry. “We try to believe.” [...]

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Thoughts on George Oppen

by Joe Weil August 29, 2012 Poetry and Poetics

I came by Oppen in 1979 via the wonderful–to my way of thinking–historically significant anthology, A Geography of Poets. I remember liking his poem, “Street” and memorizing it, then going no further. I was never one to devour poets (except Roethke, Williams, Stevens, and, weirdly, May Swenson). I preferred anthologies where, if the editor was [...]

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On Job and William Carlos Williams

by Joe Weil July 4, 2012 Poetry and Poetics

Power is arbitrary when it steps out from the laws of the system it generates, fosters, or embodies, thus causing the system to scramble and struggle to “explain” and fit this act to the laws inherent in the system. The most blatant example of this would the way a culture might explain the arbitrary force [...]

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Neighborhood post-industrial as opposed to professional aesthetics

by Joe Weil May 30, 2012 Arts & Society

I grew up in a neighborhood where most of the parents worked in factories or trades. The closest anyone came to a professional occupation was Ann Boyle next door who worked as an executive secretary for Bell telephone and, through the great benefits of that monopoly, was able to retire at age 55. Anne never [...]

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Garbage Picking in Eliot’s Waste Land, Part 4

by Tom Bair May 14, 2012 Poetry and Poetics

This entry is part of a series, Garbage Picking in The Waste Land» Still, the close reading. Fine. You will have your blasted close reading. However, I will conduct this reading on my own terms. I will shuffle, and play the cards at my whim, sometimes to my detriment. First though, a word on why [...]

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How to Watch a Poem

by Sridala Swami May 7, 2012 Poetry and Poetics

(This post was to begin with a quote that I remember as having been said by the filmmaker, Jean-Luc Godard: “You don’t read a film; you watch it”. While trying to chase down the quote, though, I found it had disappeared so effectively that I began to doubt both the words and the person to [...]

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Garbage Picking in Eliot’s Waste Land, Part 3

by Tom Bair April 30, 2012 Poetry and Poetics

This entry is part of a series, Garbage Picking in The Waste Land» Like Eliot’s “East Coker,” the second part of this dumpster dive ended in its beginning. In Part 2 of “Garbage Picking in Eliot’s Waste Land” I resolved the mystery of “The Waste Land” with such ferocity and acuity that the fan-mail I’ve [...]

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mUutations: Auden

by Micah Towery April 17, 2012 Poetry and Poetics

This entry is part of a series, mUutations» Warning: mUutations are arbitrary interpretive readings that change the poems into something they’re not. Proceed at your own risk. See for more info. The conflict between eternity and time is deeply embedded in the consciousness of human persons. I believe it gives rise to most impulses that [...]

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More Rhetorical Devices

by Joe Weil April 11, 2012 Poetry and Poetics

This entry is part of a series, Rhetorical Devices» , Rhetorical Devices» , Rhetorical Devices» PHOTO by . I’m going to put the next few terms under the larger sweep of synecdoche, a word that is dangerous to delve into since theorists and language experts, in their mania to confine, have proven themselves enemies of [...]

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On Rhetorical Devices and Their Use

by Joe Weil April 4, 2012 Poetry and Poetics
Back Camera

I figured I’d post these. Many poets employ them without ever knowing their names, and that seems to work, but I like knowing the names of things. There’s something thrilling and wise ass to me about going through the world, saying: “Oh look! A Eurasian tree sparrow!” At age six, I fell in love with [...]

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Teaching Poetry: Obedience vs. Conformity

by Joe Weil March 28, 2012 Poetry and Poetics

This entry is part of a series, Conformity and Obedience» When I was ten or so, a large flock of starlings, and assorted brown-headed cowbirds used to come visit a deserted lot near my house every fall. I liked nothing better than to run among them, and listen to the collective soughing swoop of their [...]

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