Reviews

The Silver Book

by Levi Rubeck January 17, 2011 Poetry and Poetics

A tenth grade student of mine recently commented that he felt anaphora to be a crutch weaker writers use. He didn’t see the point of repeating a word or phrase over and over again, especially if he didn’t agree with that word overall. I couldn’t really agree with him out loud since the entire lesson [...]

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This Just In From the Void

by Sarah V. Schweig January 10, 2011 Poetry and Poetics

“Whatever it was I had to say,” Charles Wright writes on the first page of Littlefoot (FSG 2007), “I’ve said it.” Two years later, in 2009, Sestets, his most recent book, came out. “Instead of going over poems today,” Charles said one day a few years ago as our small, always-awestruck-in-the-presence-of-Charles-Wright class gathered around a [...]

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A Language Poet You’ll Enjoy Reading

by Brooks Lampe January 7, 2011 Language

Add to the list of great American poets that nobody is talking about. He has been writing quietly for over four decades and gained prominence among the Language school poets. is another masterful accomplishment that further explores his unique form. Since the 1980s, he has been composing copious amounts of syntactically-innovative poetry. It might appear, [...]

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Small Anchor Press: The Dory Reader

by Bianca Stone January 3, 2011 Art

If Martha Stewart had a child who went rogue, moved to New York City, and started writing poetry and making books, that child may have turned out to produce something as crafty-bohemian as does. Their carefully assembled chapbooks are often made with hand-marbled paper, complete with twine, stitching, high resolution images, and tiny folded windows [...]

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Unstuck with Yahia Lababidi

by Brian Chappell January 1, 2011 Academia

Yahia Lababidi remembers late nights in his dorm room at George Washington University, tossing in bed as the voices of Wilde, Rilke and Kafka reverberated around him. Words or phrases, even the tiniest snippets of philosophy, would teem, pulse and swirl to a boiling point, until he could no longer resist formulating his own response, [...]

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Year-End Fiction Favorites: 2010

by Brian Chappell December 27, 2010 Fiction

Why do we make lists? I tend to agree with Paul Tankard, who wrote in Prose Studies, “[A list makes] an implicit truth claim that subverts prose…a list in a novel is part of the fiction, a list in a poem is part of the poetry, but in both cases the list introduces a pragmatic [...]

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C.D. Wright’s Masterpiece

by Michael Klein December 20, 2010 Poetry and Poetics

~ The way I see it, history as a subject reads best when it is both documented and re-imagined (In Cold Blood, Ragtime, Let Us Now Praise Famous Men come immediately to mind); when a literary revelation emerges as a result of source material from the scene and from the bigger world get all mixed [...]

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Ronin Poet: Kalkbrenner’s Foul Feelings

by Levi Rubeck December 17, 2010 Poetry and Poetics

At a recent Poet’s House reading, Demosthenes Agrafiotis had some harsh things to say about haiku written in English. They fail not only because English can’t possibly pack as much information into a syllable as Japanese does, but the form itself is tied to a cultural imperative, a way of thought that one learns for [...]

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A Beautifully Scrambled Egg

by Brooks Lampe October 19, 2010 Aesthetics

In , Mathews lets the loose cohesion of his poems suggest profundities that seem unlikely coming from often mundane subjects. His poems are cohesive because of formal structure and theme, but it is a deliberately incoherent kind of cohesion. The effect is delicate and oblique, and it is growing on me. Mathews likes wandering off [...]

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Scotch Wave of Light

by Genevieve Burger-Weiser October 18, 2010 Reviews

new book of poetry, , is a metaphysical meditation on identity through time and the search for the real amidst ghosts, memories, and illusory images. As in the artful illusions of theatre and movies, to which Klein alludes frequently, lighting can change everything in these poems—here people darken or there is an overwhelming bomb-blast of [...]

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More Construction Notes

by migration_test October 14, 2010 Academia

Just a few things to notice about the site redesign. 1. You can now login and comment with your Twitter, Facebook, Open ID, Yahoo, or many other accounts. In the process of this changeover, the old comments have disappeared. Fear not! They are not lost. We’re just in the process of importing them, and barring [...]

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Surrealism Re-Imagined

by Brooks Lampe October 11, 2010 Language

Brooks Lampe reviews Andrew Joron’s What a desperate trance!—The skyboat resembles a flying vulva; the city, the arc of an abandoned soliloquy. Andrew Joron represents a small, almost indistinguishable enclave of contemporary poets who know (and appreciate that) they have been influenced by surrealism. Versus the rest of the contemporary poets who do not know [...]

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And the James Patterson of Contemporary Poetry is…

by Evan Hansen May 23, 2010 Bob Hicok

Writers in the scattered nation of good poetry are, in general, perfectionists. Many greats have been known to be tight-lipped about their process and to publish only what they deem categorically best. , on the other hand, doesn’t seem worried about perfection. He publishes so prodigiously that it’s hard to imagine he spends any time [...]

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“While I was masturbating, more rainforest disappeared”

by Evan Hansen May 2, 2010 Aaron Kunin

In a poem called “Life,” which appears in his most recent collection, (Pitt Poetry, 2010), writes: “The feeling that mysticism / is the only way to be polite…. / While I was masturbating, / more rainforest / disappeared….” These disclosures feel true—and inevitable, given what at least I believe about climate change and humans continuing [...]

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Some Sort of Truth: Dorothea Lasky’s BLACK LIFE Hurts Like Joy

by Lonely Christopher April 15, 2010 Dorothea Lasky

Dorothea Lasky is a poet of petulant grace. The particular way she does is she carves into the alphabet for poetry’s hurtfully buried, metastasized epiphanies of black life. Thence comes the fragments of jagged wonder she strings together to decorate her verse with pretty conflict. Her wonder (love and awe) is heavy and plain, stilted [...]

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Ben Lerner’s “Mean Free Path”

by Evan Hansen April 4, 2010 Reviews

Ben Lerner is damn smart. In case you aren’t convinced by my saying so, you need only stop and examine one his books the next time you have a chance. Just the titles of , , and most recently, suggest that the enclosed works have elaborate scholarly underpinnings. Lerner’s cerebral poetry isn’t chip-on-the-shoulder intellectualism or [...]

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