From Chris: Mark Conway’s poems refuse to sit still, even when, or perhaps especially when talking about stillness. The double colons and forward slashes that punctuate these lines seem to me to operate like the stutter or dip of a manual transmission shifting into higher gear, propelling the poem forward. The poem below is about [...]

From Chris: Richard Armstrong’s poems attempt to say smart things in dumb ways, to slip under the intellectual scrutiny practiced poetry readers bring to bear on unfamiliar work. I am continually surprised by how he is able to create an emotive impact through sloganeering, through the melding of bro-speak, blue-collar imagery, street slang, and archaic [...]

A Note from Jorge: I did not want to make any personal assessments regarding these poets, their poetry or why they were chosen by me. But if you need me to, I will keep it extremely simple. These are four American poets of various ages and backgrounds who published a volume of poems in 2013 [...]

A Note from Jorge: I did not want to make any personal assessments regarding these poets, their poetry or why they were chosen by me. But if you need me to, I will keep it extremely simple. These are four American poets of various ages and backgrounds who published a volume of poems in 2013 [...]

For years I was practicing trans-disciplinary methods without anyone telling me, but now that the experts have discovered this sort of pont-consciousness (what I always called building bridges between disciplines). They are already defining it, and making it rule bound and snot-assed for academic consumption. So I am for the motley, and for what I [...]

I have often been called a loose cannon: disorganized, lacking structure, etc. I don’t think this is true. I think I disrespect power–my own or anyone else’s, and like to circumvent the maze in which they would have me find the cheese, and if that’s a loose cannon, so be it. I always think: trust [...]

OUR LADY OF THE FLOWERS, ECHOIC BY CHRIS TYSH LES FIGUES PRESS, 2013 CUNT NORTON BY DODIE BELLAMY LES FIGUES PRESS, 2013 1. Pins Ups: Covering the Classics “I realized early on that the academy and the literary world alike — and I don’t think there really is a distinction between the two — are [...]