
Certainly postmodern works has blurred generic boundaries, but Alexander seems to be showing, in an almost Pynchon-like way, that even the nuances of specialized language can be conscripted and subsumed into a larger poetic utterance.
All acts of observation are partial and reveal as much about the observer as the observed.
Alfred Corn’s play gives us an inner portrait of Robert Lowell that is not found in either the biography or the poetry itself.
Formality, in this case, allows Sleigh to achieve a reflexivity and self-awareness without the cloying injections that deliberately remind the reader of the existence of the poet.
The two loves of Kalamaras’s life: Surrealism and Hindu mysticism (with a touch of rhetorical theory!).
[Known Quantity]
[Love-Busker]
[Suleiman]
[In His Tree]
[No Real Than You Are]
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